With its flashing LEDs concealed beneath a layer of milky-white silicone, the LinnStrument resembles a Disco Barbie dance floor. And right now, he thinks they need a Roger Linn PMC. As a former studio engineer who has rubbed shoulders with roadies, he knows what kind of gear musicians need. He also has some impressive ASCAP credits, having co-written Top-10 hits for both Eric Clapton ("Promises") and Mary Chapin Carpenter ("Quittin' Time"). In 1976, Leon Russell hired him as a touring guitarist and recording engineer. Before he became "The Father of the Drum Machine," he was a working musician. "When I was a musician, the electronic equipment had all kinds of different settings and technical terms. "I just strove to make products that didn't require much technical skill to operate," he explains. The delivery is matter-of-fact, almost indifferent, like a tenured professor giving a lecture on Recording Equipment in the Late 20th Century. In an interview via Skype (he doesn't Face Time because the audio quality is "mediocre"), Linn assesses his contribution to the recording industry: "Each of my drum machines seemed to find an important place in the popular music." There isn't the slightest hint of boast or satisfaction in this statement. Linnstrument building workspace photographed in Roger Linn's home.
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