This begs the question, how does one remedy them all?Īn excited new engineer might jump from track to track in search of things to do, tackling issues as they hear them. There might be a masking war between low-end elements, bloating in the mids, and uncontrolled transients in the highs that just about rip your ears off. Don’t think in terms of individual tracksĪs you take note of the various issues in a mix, you’ll often find they span the entirety of the frequency spectrum. Now let’s go a little deeper into the specifics of how to improve tonal balance. ![]() Music that is tonally balanced is then somewhere in the middle. For mixers, if a song has too much low-end, we say its “boomy,” but if there’s not enough we call it “thin.” There are similar bounds for mids and highs. Though each interpretation differs slightly, they all come back to the idea that music with sophisticated tonal balance has a pleasing mix of frequencies across the spectrum. In his excellent article, fellow iZotope contributor Phillip Nichols explored how engineers, musicians, and recordists interpret the term “tonal balance.” That’s why today we’re looking at five tips to improve the tonal balance of your mix. For new engineers, tonal balance can be a major challenge to get right when mixing and mastering. The balance of level and frequency is what gives a mix it’s emotion and power, while a lack of balance can leave mixes sounding like demos.
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